Road infrastructure for the city information model (digital twin) of Moscow, in a project team of 150+ people.

• Model road surfaces from scan meshes built on point clouds, cross-checking against maps and street-level panoramas.
• Prepare the geometry in Blender for further work in Unreal Engine.
• Personal output: tens of kilometres of finished road surfaces.
• Stack: Blender, Unreal Engine, scan meshes and point clouds.

Full-cycle 3D, motion design and VFX for commercial, media and industrial projects.

• Industrial 3D and e-commerce: 100+ hard-surface models of drilling equipment and spare parts for the GK Terra online store (gk-terra.com). Modelled from drawings, or from photos where there were none; PBR materials and web optimisation, so every model can be rotated right on its product page. Plus product renders for the catalogue.
• VFX for media projects: clips for well-known figures from show business and sport, from draft to final compositing, about 7 days per clip. Tracking in After Effects, compositing in DaVinci Fusion. A FOOH CGI clip for the Sverdlovsk Region Boxing Federation was published by the URA.RU Telegram channel.
• Event design: visuals for the International Women’s Forum, with graphics integrated into video and interactive scenes.
• Full-pipeline 3D: characters, props and environments. Topology, UVs, texturing in Substance Painter, lookdev, lighting and rendering in Cycles.

Every semester I owned the whole visual side of team game projects in Unity.

• 2026 — UrFU certificate for an advanced-level team project (3D visuals of a game project).

Defended with an “excellent” grade: a game project published on digital storefronts.